“As for Zoë Beyers – well, she was terrifyingly good. She squeezed every possible ounce of expression from every note; and was alert not only to Woods’ every subtlety but also to those of her fellow performers. She coloured her tone with such imagination! Her sound was always lustrous and unforced – her technique, no matter how many double-stops she was confronted with, immaculate. The rest of the orchestra (really, they had such a blast) served as her only audience at the end and burst into spontaneous applause.

— Alice McVeigh, Classical Music Daily